12.15.2010

A Great Series From Peter For The Time Magazine!



Our friend, and long-time contributor Peter Hapak shot the chilean miners for the TIME magazine!

12.14.2010

just arrived



greetings from Guillaume Henry, creative director of CARVEN

ad campaign by Marton Perlaki

12.03.2010

Other Edition - Editorial of the Month

The unique qualities and connotations of concrete are the starting point for photographer Benoit Pailley and fashion editor Inès Fendri in the current issue of top Hungarian magazine The Room. In their story ‘Concrete Project No.1’ in issue 12, they take the quintessential building material and come up with what is effectively a very clever accessory and jewellery story.


The Room - issue 12 Photo: Benoit Pailley Styling: Inès Fendri


Drawing on the full range of associations with the material, such as its historical connection with famous modernist architects, eastern bloc public architecture or its use as an iconic sculptural material by minimalist sculptors, in their hands it becomes the basis for a series of tableaux that are themselves not unlike sculptures. In the case of ‘Concrete Project No.1’ however, each incorporates a luxurious object of desire; a Christian Laboutin shoe, a bag by Sonia Rykiel or even a tiara by John Galliano.

Quite aside from the clever games -the visual puns that operate very much in the way that many contemporary art objects do- one of the most notable things about the story is just how good this humble material makes the items in question look. Perhaps it’s the contrast, but each of these tempting goodies looks somehow, brighter, shinier and even more sumptuous. Perhaps more cautious creatives would have shied away from the idea, worrying that the combination might not provide a sufficiently rich context for the luxury items. No such fear at The Room though, a title that has repeatedly shown that it is able to navigate simplicity and luxury.

Another rewarding aspect of the shoot is that one realises that this is a situation in which fashion creatives have had to work outside of the safety of the traditional discipline, literally working more like artists in constructing the sculptural concrete structures in a makeshift studio in southern France. So it’s something of a story about handmade craft in more ways than one.

You can buy the magazine online for 4 euro.

11.23.2010

Studio Visit in Brooklyn









Swiss Institute is proud to present the first exhibition of the collaborative work of New York artist Rita Ackermann and Nashville based director Harmony Korine.

Swiss Institute [SI]
495 Broadway 3rd Floor
New York NY 10012

WE LOVE YOU, RITA!

11.22.2010

We Like Balint Zsako!



February 12 – May 1, 2011

New York–based contemporary artist Balint Zsako creates intricate and seamless collages using botanical prints and atlases of human anatomy by Bernhard Siegfried Albinus (1697–1770), Jean Baptiste Marc Bourgery (1797–1849), and Nicolas Henri Jacob (1782–1871). This series of collages, commissioned by Chicagoan Richard Harris, conveys themes of absurdity and humor present in much of Zsako’s work.


Image: Balint Zsako, Albinus (Plants IV), 2009

11.17.2010

BALENCIAGA-SPANISH MASTER






This November, Queen Sofía Spanish Institute will present BALENCIAGA: Spanish Master, the first exhibition to consider the impact of Spain's culture, history and art on one of its greatest twentieth-century sons, the legendary designer Cristóbal Balenciaga (1895-1972). Hailed as "Fashion's Picasso" by Cecil Beaton, Balenciaga's innovations transformed the way women dressed, from the opening of his Paris fashion house in 1937 until his retirement in 1968. His visionary designs and impeccable standards seduced generations of the best-dressed women in the world.

BALENCIAGA: Spanish Master,
November, 19th, 2010 to February 19th, 2011;
Queen Sofía Spanish Institute,
684 Park Avenue New York, New York 10065

10.21.2010

Interview with Béla Tarr in The New Issue of The Room


STYLE IS NOT A COAT

The Turin Horse, the film that Béla Tarr wants to be his last, will soon be released to general audiences. Legend has it that Nietzsche witnessed a coachman whipping a horse in the street. Nietzsche threw his arms around the horse's neck, trying to protect it with his own body. He never spoke again and lost his sanity after the incident.

photo: Marton Perlaki
interview by Erzsébet Bori

10.19.2010

new issue of The Room is OUT V.



NORTHERN LIGHT
editorial with Siri Tollerod @ DNA
photo: Peter Hapak

new issue of The Room is out IV.



LA PAROLA AMORE ESISTE

editorial with:
NATY CHABANENKO @ Women
ANU KOSKI @ Women
AJ ABUALRUB @ D'Men
JAKOB WEICHMANN @ D'Men
NIKOLA JOVANOVIC @ D'Men
LEA T @ Woman
MARCEL CASTENMILLER @ Fashion
JAMES SMITH @ Fashion
ADRIEN SAHORES @ Ford Europe
BENONI LOOS @ I Love
RYAN KENNEDY @ I Love
SIMON NESSMAN @ I Love
WILL LEWIS @ I Love
WILLIAM EUSTACE @ L'Uomo Elite
EVANDRO SOLDATI @ Why Not
JACOB COUPE @ Why Not
MATHIAS BERGH @ Why Not

photo: Emilio Tini

new issue of The Room is OUT III.



FLESH OF THE ORCHID

editorial with Réka Ebergényi @ Visage
photo: István Lábady

new issue of The Room is OUT II.



LAND OF CONFUSION
cover editorial with Valerija Kelava @ OUI
photo: Marton Perlaki