Showing posts with label we like. Show all posts
Showing posts with label we like. Show all posts

11.22.2010

We Like Balint Zsako!



February 12 – May 1, 2011

New York–based contemporary artist Balint Zsako creates intricate and seamless collages using botanical prints and atlases of human anatomy by Bernhard Siegfried Albinus (1697–1770), Jean Baptiste Marc Bourgery (1797–1849), and Nicolas Henri Jacob (1782–1871). This series of collages, commissioned by Chicagoan Richard Harris, conveys themes of absurdity and humor present in much of Zsako’s work.


Image: Balint Zsako, Albinus (Plants IV), 2009

5.17.2010

We Like Szimler Bálint's short film, HERE I AM!

Bálint Szimler’s short, Here I am was selected to participate in the Cinéfondation, where it will compete among the best student films of the world, at the 63rd Cannes Film Festival.

The Cinéfondation will present 13 films selected from the 1600 entries submitted by film schools from all over the world. The films, representing 11 countries, will be shown to the Cinéfondation and Shorts Jury, presided by Atom Egoyan, who will choose the best three. The awards will be announced on 21 May at the Cannes Film Festival.

Szimler Bálint and Vida Viktor


FINGERS CROSSED!

6.15.2009

We Like Anouk Kruithof !


Black Hole project in collaboration with Jaap Scheeren.
www.anoukkruithof.nl

5.27.2009

We Like Alnis Stakle!

NOTHING PERSONAL



The main object of the works from Nothing Personal is my body and its shadow. These works are documentation of peculiar performances. Why “Nothing Personal”, if visual content of photographs indicates subjective approach? Title of the collection emphasizes subjective interpretation of concepts, meanings, and visual images in the mind of a viewer. Observing one and the same images viewers interpret them building on their unique experience. On the one hand, works are subjective in their visual message. On the other hand, this subjectivity has meaning assigned by a viewer. Actually, these works represent universal symbol, code, and message in western visual art that are revealed in interpretation of representation of body and artist’s behavior. I highlight their two main meanings: the first, subjective satisfaction from photographing and photographs, and the second, ironical conceptual and contextual link between image and its interpretation in consciousness of a viewer.

BROKEN LINE



The work series ‘Broken Line’ is a visual investigation that is both autobiographical and documentary about the lost identity and the hopeless life of the last Soviet generation in Latvia.

www.alnisstakle.com